11-19-24
Beneath July sun, a voice unravels
into kitchen smoke, golden oil coating
our crooked girl teeth. Here, you ask me
where the birds went, and I answer–
where it's clean, which is to say: where we
are still dew-fresh and petaled. Today
we search for our reflection in the
shit-green puddle beside the sewer
drain. You open your mouth and contort
your lips like a fish. I open my mouth
and surrender to vanity, skin peeling
in soft scales. A face replicated to split
tenderly under rough tongue–and maybe
this mouth hung loose long before the final
bleed, hemoglobin eddying in smooth blue
light. Home videos replacing heartbeat.
Repetition as a plea for return. On the
pavement, we birth slick brown cheeks and
a want greater than thirst. Ma does not
know this body is not ours, lungs
overfilled with prayers for American
excellence, curls disentangled to ribboned
polyester: Participant of. Runner-up. First
place! The UV index is 9 and the air absorbs
our breath and we wish we were inside,
burnt fingers splayed in sacrifice atop
the cutting board, onions coaxing shame
from our hungering eyes. After we decided
sinlessness was too heavy to inherit, Ma
sank through the orange-moon slits of light
that paint the living room at 2am, silvered
silently to the glint of unwashed dishes and
our melted reflection begging for materiality.
It's only noon and we're starting to feel a little
faint, a little weightless. Unborn, rosy-pink, and
maybe it's time we unlearn how flowers
unfurl–soft, to the sky, loved, and then–
digested between the jaws of a thousand flies.
Tanya Rastogi is an artist and writer from Iowa. Her work has been published in the Adroit Journal, Gone Lawn, Kalopsia Literary, and others. She is the founding editor of the Seraphic Review. When she's not hunched over a computer, Tanya enjoys visiting cafés and watching video essays.